Denganberjalannya waktu saya mulai membutuhkan lensa yang agak lebar dan pilihan saya adalah lensa 35mm f/2.0, ternyata dengan lensa ini saya lebih leluasa dan lebih dapat menangkap subjek lebih luas dengan jarak relatif lebih dekat dibanding bila saya menggunakan lensa 50mm, dan akhirnya lensa sehari-hari saya beralih ke lensa 35mm ini.
Asking a photographer the question, “35mm vs. 50mm lens” might open a can of worms you didn’t mean to open. However, the question of carrying a 35mm vs. 50mm camera lens can be broken down, quantified, and dealt with when you distill the facts. However, depending on the kind of lens or lenses you carry are dependent on what you’re trying to accomplish as a photographer. However, if you really do want to stage a 35mm lens vs 50mm lens battle, we have a simple answer for you. When comparing the two, we think you should go with the 35mm lens vs. the 50mm lens. We’ll outline exactly why. This is a helpful guide discussing reasons why the 35mm lens is better than the 50mm lens. We’ll be covering the following topics click on a bullet point to jump to that section 35mm vs 50mm Lens 1. The 35mm Captures a Wider Frame 35mm vs. 50mm lens a battle of widths To put it simply, a 35 mm camera lens captures a larger part of what is in front of the camera. If you’re a photographer trying to capture a moment, then the wider the better. 2. The 35mm Lens Will Have Minimal Distortion Even better, a 35 mm will offer you a much wider angle without the amount of distortion you’d find in a 50 mm lens. While it’s true that you could pull back from your subject with a 50 mm lens you’d still be dealing with distortion at the edges of your photographs. 3. A 35mm Lens Is Similar to the Human Eye 35mm vs. 50mm lens beauty is in the eye of the viewfinder While a standard 50 mm is a great lens under certain conditions, the 35 mm lens is a much more natural way to capture your subject, especially if you’re shooting a wedding or a portrait session on the street. What your 35 mm lens captures will be very similar to how you see your subject, so framing, composition, and capturing those lightning-in-a-bottle moments become much easier when your personal field of view is similar to your camera’s. 4. A Wide-Angle & Large Aperture Work Well in Low Light 35mm vs. 50mm lens large and in charge While there are much wider lenses on the market, 35mm is still considered to be a “wide-angle” in the industry. Because of the wide-angle and large aperture, your camera will let in more light faster. This allows the lens to perform well even in low-light scenarios. Capturing organic moments is much easier when dealing with natural lighting. Yet, sometimes performance in low light is too poor for that to be the reality. A 35 mm lens is a great asset to low-light, natural shooting. 5. The 35 mm Lens Allows You to Get Closer to the Action 35mm vs. 50mm lens there is no such thing as too close If you’re a portrait photographer, then you should be well-acquainted with the 35 mm lens because of the intimacy it provides you. No one wants to have to stand feet away from their model even if a 50 mm can capture your subject in startling detail. 6. The 35mm Lens Allows You to Capture Images with More Emotion The truth is, portrait photography is all about feeling. Much of the time, to capture that feeling you need to get in close. The 35 mm is wide enough that you can get right up to your subject, get personal, and hopefully capture something magical. 7. 35mm Lens is a Versatile Way to Shoot 35mm vs 50mm lens jack of all trades Some of us aren’t relegated purely to portrait or landscape photography. Sometimes we do both and sometimes we do them at the same time. However, if you’re using a true wide-angle lens for shooting a landscape then you’d be hard-pressed to turn that around on a subject and get a satisfactory effect—a super-wide lens like the 20 mm captures a lot but forgoes a lot of detail in the process. Along the same vein, a 50 mm lens is a possible lens for close-ups but would fail miserably to try and convey the vastness of a landscape. Luckily, the 35 mm lens sits comfortably in between both. It functions well for landscape shooting and portrait photography. In the hands of a professional, it can even pass as a go-to lens for the kind of pure, simple, and nomadic shooting many photographers can only dream of. To further explore the benefits of a 35mm lens, we also recommend this video by Brandon Cole The Best 35mm Lenses A good lens is not a cheap one. Think of your camera as the home you build for yourself. Without furniture and appliances, it’s pretty useless. Your camera lenses fill that void and give your camera the ability to harness its power. The better the lens, the more versatility you’ll have as a photographer. Canon EF 35mm f/ II USM Lens You can never go wrong with buying a Canon lens. The company doesn’t just produce reliable cameras—they make some of the best glass on the market. The relatively new Canon EF 35mm is a stellar camera lens. It’s fundamentally high-end yet intuitive as far as lenses go. If you want sheer, expensive power that isn’t challenging to wield, then this is your lens. I have personally borrowed this lens from a friend and it is AMAZING. I am saving up for this lens, however, if you have the budget, I highly recommend this lens. I personally use the Canon EF 35mm f/2 IS USM Wide-Angle Lens which you can find further below and it is what all the images in this post are used with! My Pros With This Lens 50% brighter than most models With AC/DC adapter Wide range of height options My Cons With This Lens Higher price point Sony 35mm Sonnar T FE ZA If you aren’t considering Sony the next time you consider your next DSLR camera, then now is the time. Sony has proven time and time again to the industry that they make great cameras and great mid-range lenses. If the name Zeiss doesn’t catch your interest, then people may wonder if you’ve been taking photos under a rock. At the end of the day, this Sony lens is a great, inexpensive powerhouse that flaunts an extremely high-end name. My Pros With This Lens Amazing bokeh Crisp, clear images Light weight Prime lens My Cons With This Lens A bit pricier but worth the investment Nikon AF NIKKOR 1923 35mm f/2D Both Nikon and Canon go hand-in-hand when it comes to cornering the photography industry. However, Nikon has always skewed slightly cheaper while still providing comparable performance to Canon. The Nikkor 1923 is no exception—it’s a mid-range lens priced that is priced a couple of hundred dollars less than its competition. My Pros With This Lens Small Well built Focuses fast My Cons With This Lens A bit soft at f2, but very nice from on The Best 35mm Lenses on a Budget Sometimes you’re just starting as a photographer and just want to hit the ground running without making a huge upfront investment. That’s understandable, although photography is not a cheap hobby! However, there are some solid, budget-friendly 35mm lenses out there if you look hard enough. Rokinon IO35AF-E 35mm f/ Meant to fit Sony E cameras, this third-party lens is a great 35mm option that is a fraction of anything Sony will sell you. It’s durable, sleek, and will perform perfectly at a much lower-than-expected investment point for a camera lens of this magnitude. My Pros With This Lens Sharp image quality Good bokeh Focuses pretty much as closely as Sony version My Cons With This Lens Not as accurate in low lighting Canon EF 35mm f/2 IS USM Wide-Angle While not cheap by third-party standards, this quintessential Canon lens is still a great value for what you get; an extremely versatile 35mm lens that can do 100 things your 50mm can’t. If you need a one-lens-fits-all option, then this lens is a good start. This is the lens I personally use and I have loved it since the day I bought it because it is so versatile. All the images in this post were shot with this lens! My Pros With This Lens Sharp image quality Speed of focus Light and compact My Cons With This Lens Not the f/ Nikon AF-S DX NIKKOR 35mm f/ While not as good as the aforementioned Canon lens, this 35mm lens by Nikon is truly one of the cheapest name-brand lenses on the market. It may underperform against similar lenses, but those similar lenses are a few hundred dollars more expensive. With this, you get what you pay for, which is affordable clarity and plenty of versatility. My Pros With This Lens Bright aperture Compact and ligh My Cons With This Lens Some barrel distortion Narrow, rough-feeling manual focus ring Final Remarks We hope this guide helped you gain further clarity on the differences between a 35mm and 50mm! I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to and affiliated sites. Frequently Asked Questions Is there a big difference between 35mm and 50mm? Yes, there is a noticeable difference between 35mm and 50mm lenses, both in terms of field of view and image distortion. A 35mm lens will have a wider field of view than a 50mm lens, and can create a more immersive and dramatic effect, while a 50mm lens will have a more natural and flattering perspective with less distortion. Is 35mm or 50mm more versatile? Both 35mm and 50mm lenses are versatile, but the choice of which one is more versatile depends on the photographer’s shooting style and preferences. A 35mm lens is often considered more versatile due to its wider field of view, which can be used for landscape, street, and environmental portrait photography, while a 50mm lens is often preferred for portrait and low light photography due to its natural perspective and wider aperture. Should I get a 50mm if I have a 35mm? Whether or not you should get a 50mm lens if you already have a 35mm lens depends on your photography needs and shooting style. If you shoot a lot of portraits or in low light situations, a 50mm lens with a wider aperture may be beneficial. However, if you primarily shoot landscapes or environmental portraits, a 35mm lens may be sufficient.
lenshood lensa canon. Hasil pencarian "Lens Hood Lensa Canon" 300 barang. LensHood Canon EW-83J 72mm Canon EF-S 17-55MM Tudung Lensa Lens Hood. Rp45.000. 5 Terjual 2 Jakarta Pusat. DJI PRO
One of the most common questions I get asked by other photographers is, “Which prime lens should I get? 35mm vs 50mm?” Indeed, the answer to this question could really help you, whether you photograph portraits and weddings, or any sort of general photography from epic landscapes to casual everyday moments. So, what is the answer? Well, as you can probably guess, the correct answer is, “It depends!” It depends on what type of photography you do, of course, but it also depends on your creative style as an artist. Let’s dive in and help you determine whether a 35mm vs 50mm prime lens is better for you. What is the Difference Between 35mm vs 50mm? Nikon Z 35mm f/ S vs Nikon Z 50mm f/ S Not much difference besides the numbers? First, let’s make sure we understand the technical difference between 35mm vs 50mm. The two prime lenses are quite similar, but that 15mm in between the two numbers sure does make a difference. If you want to skip to the next part and avoid the technical explanation, here’s the simplified version 50mm is considered to be the most “normal” focal length. It is the midpoint between two very common categories of lenses wide-angle and telephoto. 35mm, as its lower number implies, is a slightly wide-angle focal length, but not by much. In other words, 35mm fits more into your composition than 50mm. To get technical, 50mm will give you about a 47-degree angle of view, and 35mm will give you about a 63-degree angle of view. We are assuming a full-frame camera sensor. If you’re having trouble visualizing that, just remember that 90 degrees is a right angle, so, a 50mm prime is almost half that, and a 35mm is right in between. By the way, a 90-degree angle of view would be about a 21mm lens. 35mm vs 50mm on a Crop Sensor Of course, if you have a cropped sensor, the effective angle of view changes. On APSC sensors with a ~ crop factor your 50mm lens will become a bit of a telephoto prime at ~75mm, a 33-degree angle of view, and your 35mm will become a normal prime, around 52mm, or a 44-degree angle of view. What if you have an APSC sensor camera, and want the same full-frame equivalent as 35mm or 50mm? 35mm will “turn into” 50mm, and 24mm will “turn into” 35mm. If you have a Micro Four Thirds sensor, with a 2x crop, then in order to achieve 35mm and 50mm equivalents, you’ll want an ~18mm prime or a ~25mm prime. But, enough of the numbers! Let’s see a visual representation of what 50mm and 35mm look like in the real world 35mm, f/ 50mm, f/ 50mm, f/ 50mm, f/2 35mm, f/ Photo courtesy of Wedding Maps 35mm, f/ 50mm, f/ 35mm lens vs 50mm Lens Which is Better for You? 50mm, f/4 When it comes to deciding on 35mm vs 50mm, there is the practical, technical aspect of it, and there is also the creative, artistic aspect. Think about how you would take the same picture with both lenses. Let’s say you’re photographing a portrait of a human subject, and you want to frame them the same way with both lenses. With your 50mm lens, you might need to step back, away from your subject, while with your 35mm lens, you might need to step forward, towards them, because of the wider angle. A viewer may not be able to identify exactly which lens you used, however, they’ll often be able to feel a “closeness” to your subjects, especially with a 35mm lens if you take a step closer to your subject. So, here’s the deciding factor, the big question you can answer with just a little bit of practice Do you prefer to get closer to your subjects, or do you prefer to remain a “normal” distance away? 35mm vs 50mm Lens for Portrait Photography 50mm, f/ When it comes to portrait photography, “normal” focal lengths are not always considered to be optimal. In fact, if you ask most portrait photographers about a “portrait lens”, they’ll probably mention an 85mm prime or a 105mm prime! If you are often photographing just one portrait subject, maybe two, then either a 50mm or even an 85mm prime is usually a great choice. However, if you are often photographing more than two or three subjects, especially more than five, you’ll find that 35mm is just a more practical focal length for fitting everyone into the frame. 35mm, f/2 What happens if you photograph one person’s portrait with a 35mm prime? The closer you get to their face, the more your closeness, and the wider angle of your lens will exaggerate their facial features, essentially making their nose look bigger! This is often considered unflattering, however, with careful consideration to the exact distance between you and your subject, a 35mm prime can create a sense of closeness and intimacy with the subject that you simply won’t achieve with an 85mm prime, though you can come closer to it with a 50mm. Remember, Photography “Rules” Are Meant To Be Broken! Oppositely, what if you try to capture a large group, say a bride and seven bridesmaids, with a 50mm or even 85mm prime? Well, first of all, you’ll need a lot of room to back up and fit them all into the frame! This isn’t always possible, and for that reason, I simply can’t recommend trying to do all your portraits with a 50mm, especially at a wedding where constraints indoors may be unavoidably tight. However, if you can back up far enough to fit a group into the frame, you’ll be rewarded with the opportunity to create a bit more shallow depth of field, when using a fast aperture, and this can make up for the sense of distance between your camera and the subjects. Personally? I often find that when doing weddings in general, and wedding portraits, I tend to reach for my 35mm prime, because I am more often in closer quarters, and more often capturing groups of 3-5 or more people. 35mm vs 50mm Lens for Candid & Street Photography 35mm, f/ Whether you are out and about on vacation, or just hanging out around the house, having either a 35mm or 50mm prime at your disposal can be a thing of beauty. If you’re trying not to intrude on a special, quiet, intimate moment, then having a relatively small f/ or f/2 prime on your camera can help you become more unobtrusive around your subjects. Which focal length is best for these situations? If you’re always forced to keep some distance from your subjects, maybe because they are shy, then a 50mm prime lens will allow you to capture many types of moments without having to get “in their face” so to speak. 35mm, f/2 Oppositely, if you’re able to “get in the action” without disturbing anyone, a 35mm lens can allow you to immerse your viewers in the scene a little bit more, by allowing them to feel closer to the subject, and also see a bit more of the surroundings in the background. Personally? Once again, I reach for a 35mm lens, preferably a small, unobtrusive f/ prime. 35mm vs 50mm Lens for Landscape Photography 24mm on APSC 35mm equivalent Landscape photography, as well as most types of outdoor or nature photography, is where the technical factor of your focal length will play the biggest role. Why? Because most of the time, a lot of your subject may be very far away, essentially “infinity”, which means that taking a step forward or back will do almost nothing to change all of your composition, or at least the background. 35mm, f/ For this reason, both your creative and technical decision become very similar. What angle of view do you find to be the most useful? Do you prefer a wider view that includes more of the scene? Or, do you enjoy focusing on tighter, oftentimes more simplified compositions? Again, there’s no wrong answer. I will say, however, that my personal favorite focal length for landscape photography is, once again, 35mm. 35mm & 85mm An Excellent Combination 35mm, f/4 At this point, I hope you’re wondering why I like 35mm so much. If I had to choose only one lens, I don’t know if it would be a 35mm prime, honestly. I may have chosen 35mm for the above genres, but I don’t believe I could do everything with this lens. Here’s my secret. For portrait, wedding, and candid photography, I’d pair a 35mm prime lens with a telephoto prime lens like an 85mm. This would give me the best of both worlds. If I want to isolate the subject background blur, I can move back and do that with an 85mm prime. With landscape, travel, and other types of outdoor photography, again, I wouldn’t choose a single 35mm prime lens — no way. I’d much rather have a wide-angle zoom lens. Some standouts include the 16-35mm, 15-35mm, or even 14-35mm lenses, not to mention Canon’s new RF 14-35mm f/4 L IS. 35mm & 50mm Top Recommendations Surprisingly, I’m not going to tell you that certain 35mm or 50mm primes are terrible, and others are great. You can’t go wrong with almost any 35mm or 50mm prime that has been released in the last few years. They’re all excellent. You can choose between affordable options like the Samyang 35mm f/ AF, or flagship lenses like the Sony FE 35mm f/ GM! The truth is, what is more important is your specific need and your budget. In addition to being an excellent value, there’s another advantage I mentioned being “incognito.” A small, compact, affordable prime such as the Nikon Z 40mm f/2, offers a nice split-the-difference focal length between 35mm and 50mm!, especially compared to lugging around the giant, heavy, attention-grabbing Nikon Z 50mm f/ S. Also, if you don’t plan to shoot wide-open, there’s even less reason to spend a lot of money! All primes these days are excellent by the time you stop them down just one or two stops. So, when shooting landscapes at f/8, you might as well get the affordable, lightweight, portable prime! Conclusion 35mm, f/ With that being said, here is the conclusion that I hope you all draw from this article. On the one hand, there’s no “wrong” choice when deciding between two relatively similar prime lens focal lengths. On the other hand, certain types of photography and specific conditions simply lend themselves to one focal length or another. The best thing you can do is to try both focal lengths, and see which one fits your creative style! On the other hand, sometimes the best lens for the job is a pair of primes or a zoom lens! Pye Jirsa is the founder and partner of SLR Lounge, Visual Flow Presets, and Lin and Jirsa Photography. Pye has taught and inspired thousands of photographers around the world with frameworks that make seemingly complex and intimidating topics simple and approachable. His frameworks have also helped create and scale Lin and Jirsa Photography, a boutique Socal wedding and portrait photography studio that shoots over 1,000 wedding, portrait, newborn and commercial clients each year.
Lenses Explore your subject in greater detail with Canon's extensive range of camera lenses that are each designed to enhance all styles of photography. From Wide-angle, Telephoto, Prime, Standard Zoom, Macro, Cinema, Broadcast and more. Wide Angle. Telephoto.
Introduction We talk a a lot about prime lenses on Coles classroom. But when it comes down to price, lots of people can only afford to buy one prime lens. Although primes are wonderful and produce sharp stunning images, they can lack some functionality. The main thing being that you don’t have the ability to zoom in and out. Even though you can’t zoom in and out, prime lenses have a ton of benefits that I will be discussing in this article. If you have to choose between a 35mm vs. 50mm, which is the better lens? I believe that it depends on what you will be using the lens for as well a personal choice. I will give some information on both lenses that will hopefully help make your decision easier. What’s a Prime Lens? A prime lens is simply a fixed focal length lens. The term prime is short for primary, meaning first, chief or main. So technically it refers to the lens you would use the most often. People prefer prime lenses because they are thought to be sharper. Since there are less moving parts and glass, the image when it arrives to your sensor looks sharper and more pristine. Another huge advantage to prime lenses is that they are usually known to be faster. Meaning they typically have larger apertures, such as the Canon 50mm f/ You can open the lens up and shoot in low light as well as get a nice shallow depth of field or blurry background. Crop Sensor vs. Full Frame Full frame and crop are both references to the cameras sensor. Different cameras have different sensor sizes. A full frame simply refers to a cameras sensor that is the same size as 35mm film used to be. Depending on full frame or crop sensors, lenses will act as different focal length because of the sensor size difference. If you have a 50mm lens, the glass is 50mm from the sensor and that is effectively what your “zoom” is. But on a crop sensor camera, say a Canon T5i, the crop factor is So if you have a 50mm lens on a crop sensor your effective focal length would be 50× giving you a “zoom” of 80mm. I wanted to explain all of this so that if you do have a crop sensor, you will know how to compensate for focal lengths. 35mm Pros A 35mm prime lens is a great overall lens. I once worked with a wedding photographer who only used a 35mm the whole entire wedding. Although this is uncommon, it is totally doable. Technically a 35mm lens is considered a wide angle lens, although it sits at the very edge of that definition. A great advantage to having a 35mm prime is the fact that it will most likely have a pretty large aperture. So you still have the ability to get some nice depth of field, while simultaneously getting a relatively wide shot. These lenses are great for getting close to the action and still getting a lot of the scene in the frame. You can also get really creative, such as holding a brides vail and shooting down it to draw attention right to her eyes. A 35mm lens is also a perfect travel and street photography lens. If I got to choose one lens to travel the world with, a 35mm would be my number one pick. If you are looking into buying a great 35mm, I would recommend the new Sigma 35mm f/ Art Lens. Its a phenomenal lens and costs less than the name brand ones. 35mm Cons Every lens has its limitation and thats why many photographers have many tools in their kit. One of the biggest limitations to the 35mm lens is the fact that you have to be pretty close to your subject in most portrait situations. There is also the whole issue with compression. Compression is simply what happens to an image when you are using a longer lens, commonly a telephoto lens. If you have ever seen an image of a giant moon, his was created by using a telephoto lens, probably in the range of 800-1600mm. When you shoot on that long of a lens everything in the background appears to be closer. Thus giving it the name compression, the background appears to have been pushed to the foreground. Since you are shooting on a wide angle lens the image will have virtually zero compression. One last negative to a 35mm lens is that they are known to be less flattering. Usually the longer the lens, the more flattering a person appears. You must also remember that if you are shooting on a crop sensor a 35mm will appear to be somewhere in the 50mm zoom range. [ad id=’4′] 50mm Pros The “nifty fifty” as it is sometimes called has been somewhat a standard for a long time. Most 35mm film cameras came standard with a 5omm lens back in the day. The 50mm has been thought to be roughly the scope of what the human eye sees, although that can be debated. Its usually the next lens that I recommend to people when they want to upgrade from their 18-55mm kit lens. Canon created the 50mm f/ for about $130, which is a great price for that fast of a lens. Since the 50mm is a little longer of a lens, you will see a little better depth of field than the 35mm as well as better bokeh or background blur. There are a lot of pros that still do a lot of their shooting with a 50mm, so it has definitely stood the test of time. One of the best things about this lens is that it allows you to stand close to your subjects. I know this sounds really weird but when you are shooting on a really long lens and have to shoot from 100 yards away it can get really impersonal. I have found that everyone is more comfortable when you can stand close to your subject and not have to yell at them. Here is a link to the Canon 50mm f/ which is a very affordable mid level lens. 50mm Cons The 50mm is not the perfect lens either. First of all it doesn’t give you that wide look that you may need in certain situations. There have been countless situations where I have been backed up against a wall and the 50mm will just not cut it. A lot of times when you are doing getting ready photographs, there are just really tight spaces. These would be instances where a 35mm lens would be very helpful. On the other end, something a 50mm lens is just not long enough for what you need. If you have to stand at the back of a wedding and you can’t get a tight shot of the grooms face. If you feel like a 50mm is just not quite long enough, there is also a third option. The 85mm prime is a beautiful little lens. It gives you a nice amount of compression, bokeh and is nearly a telephoto lens. But its not so long that you have to pull out the megaphone to communicate with you subjects. I love the lenses that Sigma has put out in recent years so here is a link to the 85mm f/ Take Away In the debate between the 35mm vs. 50mm prime lens, there is no clear winner. They are both great lenses for different reasons. I want to stress the fact that if you are using a crop sensor camera the 35mm will appear more like a 50mm lens and the 50mm will be closer to 80mm. So if you are shooting on a crop sensor body and want a little wider lens I would look into a 24mm or a 28mm lens. If I had to choose one overall lens that you would carry with you at all times, it would be the 50mm. It is a timeless lens that has proven itself time and time again. The 50mm lens is a happy medium between a wide angle lens and a zoom lens. It’s a similar focal length to what we see with our eyes, so it translates well for viewers. It also allows you to obtain a nice amount of background blur to give your images that polished look. Just know that ultimately you have to choose a lens that works best for you. I advise you to rent any lens and try it out for a few days before you buy it. I hope this makes your decision that much easier. Related Articles Canon 50mm f/ Lens Review a Hands On Practical Review 5 Top Reasons Why You Need a 50mm Lens! Why Everyone Needs a Prime Lens! Best Portrait Lens on a Budget 5 ways the 85mm Delivers!
. 348 376 294 217 209 489 458 410
lensa fix canon 35mm vs 50mm
